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When Markus sees a girl in front of his house and brings her, his partner, Annika, is not comfortable about it. The girl knows details about the couple and begins a mind game that goes far beyond rationality.

At the age of thirteen, Monette is already forced to realize that money plays an important role in life. As a result of the economic crisis, her father Frank becomes unemployed from one day to the next. This has unexpected consequences for the whole family. They have to say goodbye to their detached family home and move into a much smaller apartment. In contrast to her sister, who finds the new circumstances very difficult, Monette is a modest girl. What really bothers her, however, is that there are suddenly a lot of arguments in the family, almost always about money, and mutual recriminations. Monette doesn't want her family to suffer and thinks back and forth about what she could do to get money. In the end, she comes up with the abstruse idea of auctioning off her virginity to the highest bidder on the internet.

Den Helder, just another town somewhere in the North of Holland. But today is not a day like all the others for Maarten and Emiel, the two sons of an ordinary family. Maarten has joined the Marines and is about to leave for Lebanon for a six-month mission. On the other hand, this is the very day when his brother Emiel is released from prison.

In an uninhabited house, Éden and Charlie meet and, through their explorations, discover hidden secrets that force them to confront their repressed desires and come to terms with their identities.

In an uninhabited house, Éden and Charlie meet and, through their explorations, discover hidden secrets that force them to confront their repressed desires and come to terms with their identities.

In 1979 Tarkovsky began the production of the film The First Day (Russian: Первый День Pervyj Dyen′), based on a script b y his friend and long-term collaborator Andrei Konchalovsky. The film was set in 18th-century Russia during the reign of Peter the Great and starred Natalya Bondarchuk and Anatoli Papanov. To get the project approved by Goskino, Tarkovsky submitted a script that was different from the original script, omitting several scenes that were critical of the official atheism in the Soviet Union. After shooting roughly half of the film the project was stopped by Goskino after it became apparent that the film differed from the script submitted to the censors. Tarkovsky was reportedly infuriated by this interruption and destroyed most of the film.

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